Mandrell: Standing in line is worth it--PAGE 13

Barbara Mandrell pulled Bernie Markowski from
the audience to perform with her during a con-
cert Tuesday at the Riverside Theater. Markows-
ki played a harmonica Mandrell gave him.
--Sentinel photo by Dale Guidan
Mandrell shines in variety of moods
By Jon F. Eiche
People were lined up in front of the Riverside Theater
Tuesday night -- in front, around the corner, and down
the block. And even two performances could hardly con-
tain them.
They were all there to see and hear Barbara Mandrell,
who, judging from the response of the crowd at the early
show, made the standing in line worthwhile.
Mandrell demonstrated throughout the evening what a
capable and complete entertainer she is. Her singing, in
numbers ranging from the up-tempo "Sleeping Single in
a Double Bed" to a slow, intense version of "The Battle
Hymn of the Republic," captured a variety of moods, but
without sacrificing a consistently full-voiced sound.
She was also a treat to the eye, adorned by an outfit of
violet and gold and a winning smile, moving energetical-
ly to the music. In fact, the entire production was out-
standing visually, from the white stage setting and pastel
outfits on the seven band members to the intricately cho-
reographed lighting.
The band distinguished itself not only in instrumental
Music
virtuosity, but in vocal ability as well. Drummer Randy
Wright and guitarist Gene Miller did well in duets with
Mandrell -- "After All These Years" and "As Long as
You Belong to Me," respectively.
As her fans have come to expect, Mandrell indulged in
some good-natured showing off by playing several differ-
ent instruments during the show: harmonica, saxophone,
slide dobro, pedal steel guitar, and banjo. Her pedal steel
playing, in "Steel Guitar Rag," was especially impressive
during the double-time last verse.
A standing ovation at the end of the performance
brought Mandrell back to the stage to sing "Get to the
Heart," the title cut from her latest album.
Randy Travis opened the show with a pleasant mix of
original material and songs recorded by other country
artists. Unfortunately, his five-man backup group over-
powered his mellow vocal delivery.